For serious, I swore I was going to take it easy over All-Star Weekend. Instead, some links:
-Joey and I
frantically work through the implications of a shorn AI.
-Ty and Carter
pay snide attention to the non-dunk parts of All-Star Saturday.
-Over at TSB, my
Then and Now column overviews the weekend. No, "overview" is not a verb, except for here. Read and comment on this one so it stays alive.
Oh, and after much deliberation, we've decided to gently call out TNT for their
Sunday intro. No, not because of its forgettably racist overtones, but because it's invocation of "spirit animals" and "style" was just a little
too close to home. Probably not as glaring as the
the ESPN mag deal, but still, we're left feeling something between flattered and slighted. Plus, they really should've dug a little deeper into the desert ecosystem.
Now, onto brighter places, or at least those that thrive and scamper in the fields of discourse, not envy. Michael Lewis's
Battier/NBA Moneyball/how Morey works piece has seriously shaken up the basketball world. At least the kind that reads the
Times. Some have been blindsided (ha!) by this sudden and gaping window into Morey's methods. But what's really made an impact is the fact that Battier, formerly thought of as that annoying Duke whose fantasy numbers means you have to draft him, but will automatically forfeit your team's claim to likeability, is portrayed here as a truly advanced stylist and a compelling figure. It was, in many ways, an FD-ization of Battier, albeit as a means toward an end.
Central to this version of Battier is the idea that he's not simply a scrappy guy who likes to defend and do "the little things," a hungry opportunist who imposes himself on the game by taking over the real estate no one else wants. Instead, Battier remains constant as "a weird combination of obvious weaknesses and nearly invisible strengths." What's more, compared to the hustle guy who hits the floor on every play, Battier pursues a far less brute version of the glue guy—who even in Morey's parlance, can be seen as seeking some form of attention as an assertion of style. It's not just that his contributions only really come through in advanced stats; compared to Battier, a lot of other intangibles experts come across as single-minded and, in their lack of ego, almost showy. Battier is on another level, versatile and evasive. He's nothing less than the Right Way version of apositional icons like Lamar Odom and Shawn Marion—a player who, while dependent on context (whether instantaneous or long-term, as in a system) for direction, is valuable precisely because of his ectoplasmic net effect. And in Battier's case, this requires more flexible math than the box score offers, as if Shane himself provided the impetus for a change.
It's no accident that Lewis sees fit to include a healthy dose of Battier's biography, devoted in large part to his identity in the game as a mixed-race youth. Presumably without irony, Lewis explains that Battier followed the ultra-black Chris Webber at Detroit Country Day, but realized he could never be that player. Of course, Webber himself had plenty of identity issues, but on the court, there was no question he was a super-charged, highly-skilled power forward who had "superstar" scrawled all over his corpus. Anyway, the Life of Battier:
And yet here he was shuttling between a black world that treated him as white and a white world that treated him as black. ''Everything I've done since then is because of what I went through with this," he said. "What I did is alienate myself from everybody. I'd eat lunch by myself. I'd study by myself. And I sort of lost myself in the game."Losing himself in the game meant fitting into the game, and fitting into the game meant meshing so well that he became hard to see. In high school he was almost always the best player on the court, but even then he didn't embrace the starring role.To me, this perfectly sums up why Battier is both so frustratingly hard to pin down, and in some ways, so fittingly the role player of the future. The pure specialist is as much of a dinosaur as the 20ppg scorer who offers little else. Not to conflate race and style too much, but think about Battier: Sure, he appeals to conservative fans and lacks swagger, but he's also long, versatile, and has been known to make pinpoint, aggressive plays. You follow from there. "Meshing so well that he became hard to see" is a statement about style, but it's also a reflection on identity. Battier's neither a black guy playing white, or someone whose white game is arrived at through means often associated with a certain stran of black player (the difference between Battier and Outlaw is. . . ). Granted, most of this is pat, but if Battier is next level when it comes to this "flow of the game" stuff, it might not be by coincidence that he also confounds easy race-based stereotypes on the court. He doesn't transcend oppositions; instead, he hangs out in everyone's margins, impossible to explain and thus posing a riddle to both sides. That shared terrain, that intersection of margins, is vast and unexplored, and it's only natural it would give rise to new kinds of players and a new way of seeing the game.
And yeah, there is an Obama reference earlier on in the story.
